I’ve never reviewed this fragrance, although I encountered it early in my perfumista-dom – in late 2007, about the time I discovered Now Smell This and began really investigating fragrance rather than making do with whatever inexpensive scent I could afford.
In the fall of 2007 my sister asked for Coco Mademoiselle for Christmas. I Googled for a review and discovered NST; when I went to the mall I sniffed everything, including Daisy, and found that I liked it very much. I bought a mini of the EdT on ebay. Soon after that I “fell down the rabbit hole,” as the saying goes, and Daisy seemed quite undistinguished once I’d smelled things like Chanel No. 19, vintage Jolie Madame, and Amouage Dia.
But I went by the mall yesterday to sniff whatever Macy’s had new, as well as some older things I wanted a refresher sniff of, and I gave myself a good spritz of Estee Lauder Modern Muse on one hand and one of Daisy EdP on the other.
Daisy lasted a good six hours on me, a little longer than the usual EdP performance on my skin, and carried a noticeable but quiet sillage. It is, to use the terminology in Robin’s NST review of the EdT, “massively pleasant,” and I still think it’s one of the nicest unobtrusive fragrances currently marketed. No, it’s not bold and distinctive – it’s just… nice. Nice. I know plenty of fragrances that are bolder, that seize my attention, but I put it to you that Daisy is distinctive in its niceness.
Noticeable to me is a light citrus and fruit top, with plenty of green. This slides into a gentle white floral, sweetened by violet, and from there into a pretty, comfortable, my-skin-but-better, woody musk drydown. It never smells like frooty Kool-aid or straight-up laundry musk to me; instead, its core is a soft, sheer white floral. Which might, to be honest, be more interesting to me than to a lot of other people. Let’s face it, if your idea of how you’d like to smell on a regular basis is Calvin Klein Obsession or Iris Silver Mist or Passage d’Enfer, you’re going to find Daisy oppressively dull. For a floral aficionado like me, Daisy is probably more acceptable.
The official notes for the original Daisy EdT, composed by Alberto Morillas, are strawberry, violet leaf, pink grapefruit, gardenia, jasmine, violet, white woods, vanilla and musk. Marc Jacobs’ website lists only strawberry, gardenia, jasmine, violet, white woods, cedar and birch as the notes for the EdP and says that it is a “more intense” version of the EdT; Fragrantica suggests that there is no difference between the original in the clear glass bottle with white daisies (the EdT) and the black glass bottle with gold daisies (the EdP). My opinion is that there is a small difference between the two, with the EdT having more grapefruit, and the EdP more jasmine/vanilla. I like them both. There is a creaminess to the EdP as well, the same sort of cold cream thing I liked so much in Esprit d’Oscar.
I mean, look, I have yet to buy a full bottle of Daisy and it’s likely I never will, what with all the perfume I own. But you could do a lot worse than this. If you’re in the market for a nice quiet wallpaper scent, you could get stuck with Donna Karan Cashmere Mist, or Taylor Swift Wonderstruck, or (God forbid) Chanel Chance, all work-appropriate, inoffensive things that somehow smell a great deal nastier to me than Daisy does.